“We want to get the opportunity for these works to be displayed and viewed within the contemporary lens,” says Papavasileiou. The exhibition, of about 200 works sourced from the museum’s own collection, the Helmut Newton Estate in Germany and other public and private collections, will not shy away from the fact that even in his own time he attracted criticism, and even more so today his work can be interpreted as macho exploitation. He was as polarising as he was alluring, says Papavasileiou. work was very precise, very deliberate, but also work you couldn’t ignore.” “He worked for over 50 years producing images that played with voyeurism, the element of surprise and the element of mystery. “He pushed boundaries, and in a competitive, demanding industry he became a world renowned and highly celebrated fashion photographer, among the best in the world,” she says.
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